Chromogenic film or paper contains one or many layers of silver halide emulsion, along with dye couplers which are capable of forming visible dyes in combination with processing chemistry. In processing, the silver image of each layer is first developed. In concert with the dye couplers in each layer, the process subsequently forms dyes only in those areas where silver is present.
In full-color chromogenic materials, multiple layers of emulsion are sensitized to different wavelengths of light. Three layers are usually present, generally sensitive to red, green, and blue colored light. Cyan-colored dye is formed on the red-sensitive layer, magenta-colored dye is formed on the green-sensitive layer, and yellow-colored dye is formed on the blue-sensitive layer, following generally the CMY color model.
Some chromogenic black-and-white negative films also exist, mainly to exploit the wide availability of C-41 processing. These films have softer grain and less contrast than traditional silver halide films. In these films, a single emulsion layer has panchromatic sensitivity. The dye image is typically slightly blue because of the choice of dye couplers, and this tends to produce a dark sepia tone when printed on full-color chromogenic paper.
Each microscopic point of chromogenic dye formation is called a dye cloud. After the formation of dyes is complete, the silver image is removed in processing by a specialty photographic fixer called bleach fix or blix. A processing variation called skip bleach, most popular in motion picture negative processing, allows the silver image to be left partially or completely intact, yielding a type of contrast enhancement.
A great deal of research effort has been placed by manufacturers, most notably Fujifilm, Ilford, and Kodak, into controlling the color and tonal characteristics of their chromogenic film and paper. The sensitization of the silver halide emulsions, the composition and mixture of the dye couplers, and the chemical interactions of layers upon one another during processing (called interlayer effects), are the subjects of numerous patents. Fujifilm is apparently unique in its use of a fourth (cyan-sensitive) color layer in certain of its negative films.